Self-doubt and writing

 
Writing is one of the most liberating processes for me personally. I journalled endlessly as an angst-ridden teenager and young adult. It helped me to get my feelings and thoughts out of my system, read over them and make sense of them. The words were a true reflection of my disposition at that time. Sometimes it was poetry, sometimes black marks on the page. These days we blog or post on Facebook. Same difference.

The art of letter writing too, has evolved into emails and texts and I have to say, I'm ok with that. I would rather write short greetings, day-to-day catch ups or verbose soliloquies, than say them. Writing to someone is a great equaliser. They can't talk over you or respond their thoughts without considering your voice. They are forced to read what you have to say and then reply. I find it not only an efficient way to communicate but a leveler of the proverbial playing field.

Writing books has been a blissful and wrenching process simultaneously. I love nothing more than to sit alone and in silence; (this never happens, I write among the chaos of a young family most of the time!), and to thump out the work of my mind and heart on a keyboard. For me, the hardest part is definitely not the writing. Not even the re-reading, editing or re-writing. It's the sharing.

When I journalled, I assumed, and rightly so, that the words on those pages were mine alone. Nobody would ever read what I wrote. Maybe my children or grandchildren, or great grandchildren, after I'm long gone, would discover the chest of journals in some dusty garage and pour over the ramblings of their long dead relative. How romantic!

When I decided that I would write books and self-publish them, it was with the intention that I would manifest my desire, regardless of what an industry's rules were, and whether or not I was lucky enough to ever set foot in that world. Without the approval, hmm maybe that's the wrong word. Promotion? Endorsement. Without the endorsement of an industry: having a publishing house pick you up, give you a contract, market and promote you; without that machine of commercialism behind you, it's just you and your words, out there in the wind, naked and for all to see and judge or ignore. It's a bit masochistic because that is what I love most about self-publishing. That authenticity. It's just me out there. Purely what I have written, by myself, without much interference, with no one but myself to blame if it all goes pear shaped. It's very scary, but it's very liberating and I get control over the entire process of creating a book. I'm aware this may be a bit dysfunctional, but it's the only option I have to live out my dream right now. People don't have to read my books. They are not coerced or encouraged to, other than by my piss-weak self-promotion on social media, to my handful of followers (most of whom I'm convinced are bots!). And if someone does read my work, they don't have to like it. It's not trendy to. They don't even have to finish it. They can be completely indifferent. There's no popularity to cloud their vision or entice them. I have to say, I really like that. I can stay in the shadows.

But, and it's a big one, I'm still terrified about writing the wrong thing, causing pain, getting it wrong. Despite there being no real contractual consequences, (I don't owe anyone anything. I can write and publish the same word over and over again if I want to); despite that, I don't! I want to write something good. I want to write with integrity, honesty, emotion, passion, authenticity and fearlessness. I want my words to have impact. I want them to be enjoyable and entertaining, to make people feel and think. I want it to be the best it can be at the time I do it. Subject to change of course, and hopefully for the better.

It is now time to publish my second book, a prequel of sorts, in the trilogy that has become the guinea pig of this whole journey. And I am plagued by fear and doubt, which some may say means I'm on the right track.

When I wrote and published the first book I had absolutely no idea what I was doing. The story took 10 years to develop and building the architecture of a book, setting up a business from scratch and fulfilling the needs of this experiment were a massive learning curve. This second story was a smoother process, from the benefit of experience, but I have some major doubts. I'm getting to the main point, stay with me!

So, my biggest fear with the first book was creating and writing characters that were Aboriginal. I was terrified that I would get it wrong. I worried about appropriation mostly, and so many other issues that I had no idea how to even approach it. I asked questions, did my research and let my imagination and intention speak for itself. Then I came across a great paper by the author Anita Heiss who addressed this issue. Dr Heiss' paper talks about white writers and their fear of not getting it right when creating Indigenous characters. Whilst I still had lots of discomfort about my amateurism, my lack of experience, my limitations in research, I forged ahead and did my best. I worked hard to portray my Indigenous characters with sensitivity and respect and to ensure that it was clear that the voice of both the author and protagonist was clearly a white person. In this way, I did my best to be descriptive without appropriating. I'm not sure if I succeeded completely, I'm sure there is always room for improvement, but I worked really hard to get it right and as stated in Dr Heiss' paper, I simply could not omit an Aboriginal presence in a story set in Australia, and in particular, in the countryside.

The Indigenous characters have returned in the second book, and I hope to include them again in the third book. I felt more comfortable the second time around. They felt more real and accessible to me than ever. I felt better about writing them and even bringing them closer to the central narrative. Again, I wanted to make sure it was clear that the story was fictitious, the author and the protagonist were still white and still mostly describing, from their perspective, their experiences and relationships with these fictional characters, which sometimes exposed their bias and ignorance. Again, I have doubts and I'm sure there is room for improvement, but I'm happy to stand by that, and if necessary grow and learn. 

Now I have a new uncertainty and this one is a little harder to make peace with. In the first book (spoiler alert), the protagonist starts off being a heterosexual woman, who later falls in love with a woman, the protagonist in the second book. I had some concerns about writing from the first person about being bisexual, when I, the author, am not. How can I speak for someone's experience, when I haven't had that experience myself? Do I even have the right? There was no way to make clear that the author was observing the character, because the protagonist tells the story in the first person. I justified my actions by allowing myself to explore a "what if" scenario. What if I, a heterosexual woman, found myself falling in love with another woman? It's not entirely impossible. I delved into that possibility as the fuel to my creativity.

This time it's a little different. I have to say from the outset that it's too late and I can't change it. As I write this, the second book is in the final stages of publication. You see, this time, the protagonist is a lesbian. She discovers her sexuality in her teens and I wrote the story in the first person. It feels a little deceptive and I'm not sure that I have the right to do this. I have a million justifications. I tried to be respectful and authentic, it's fiction, I should be able to imagine characters that are far removed from myself. But it still doesn't make peace with the appropriation of a gay woman's voice. I knew the only way around it as I was writing, was to write from the third person, making it clear the author was a straight woman, observing and describing a fictional lesbian character, but I felt the impact would be stronger in the first person and I felt strongly about not 'othering' the character - I didn't want her sexual orientation to be trivialised. I am aware that I may have done the wrong thing. That I may have made a mistake, but I simply didn't know how else to achieve the continuity of the style of story telling that I began in book one. I even considered writing the third book in the third person to prove myself wrong, to highlight how I should have written book two, but I'm not sure I can. I even told myself that the central issues of the story in the second book weren't the sexual orientation of the main character. That family breakdown, relationship dysfunction, addiction and recovery were the main themes. That it doesn't matter that she happens to be a lesbian. But it does matter. Her orientation is central to the character's being and I have appropriated that voice as a straight woman, by telling the character's story in the first person.

Therefore now, all I can do is stand by my decision, whether or not it is right or wrong and let the storytelling speak for itself. The politics are something I am willing to admit I got wrong, and knowingly! It is not something I am only discovering now, or that has been pointed out to me. I knew it was problematic from the outset, but I did it anyway. I'm not hoping to get away with it and this blog in part is a way to address my doubts, not exonerate myself. Remember, the industry machine does not exist in my writing and publishing. There is no media attention, no social media mob, no consequences. Lucky for me. It is very likely that not many people will read this book. So I want to make it clear that I am aware and mindful of my possible misstep and that I am willing for it to be a point of discussion if it comes up for people who do happen to read this book and find it odd that a straight woman is writing from the perspective of a lesbian.

In saying all this, I am proud of the work I have done so far and hope to do more. I adore the characters I have created and their journeys and truly feel that the story honours the issues and themes I hoped to highlight. This year I hope to write the final book in the trilogy and bring all the characters together. It might make all the mistakes of the past worth it. After all, that seems to be the central message of the saga. That life is just a series of experiences and decisions that we make with the tools and knowledge we have in that given moment, and that in retrospect, these events form the tapestry of our lives. We don't live in a vacuum. We share our life's voyage with those who we are intertwined with through kinship, friendship, love and chance.

The second book in the Space trilogy will be available for purchase on Amazon on the 14th February 2018.

Resolutions

Making resolutions is a tricky thing. Big decisions are made, mostly in our own minds, during a rush of emotion, often marked by significant milestones in life. New Year's Day is the most common one. Birthdays too. We feel like we are getting a clean slate. The end of something and the hope for a new beginning. There are other triggers too. Falling in love, a quarrel, losing or starting a new job, having a baby. Sometimes it's simply a matter of waking up with an unexplained surge of energy. After a powerful yoga session, I feel like I can change the world!

The reality though, is that many of these thought processes never see the light of day. We don't manifest many of the thoughts in our mind, because they are simply thoughts. What ifs. Coulda, shoulda, wouldas. That's why we are such suckers for entertainment. Living vicariously through others. Reality TV, a sitcom or soap opera, a film or play, music. We look outside of ourselves and want that feeling within. "I'll have what she's having!"

Finding a balance between dissatisfaction and gratitude is tricky. It's no good simmering in bitterness and unhappiness, but complacency is the killer of dreams. It's tempting to live vividly in our heads and merely survive reality. Or go the other way; mindlessly seeking instant gratification to satiate our endlessly insatiable desires, never making peace with anything we do or have.

Where can we get perspective? In nature? With our loved ones? Through exercise, sex, intoxication? Why not all of them?

Above all else is creativity. I think the answer lies in Art. What is your art? What do you create alone? By yourself and for yourself. Do you garden, cook, paint, write, play music, sing, build, craft, mend or heal?

Sometimes the jumble of thoughts that make us crave change are just a jumble of thoughts making us crave change.

Fizzy, muddled energy that clouds our vision and torments our feelings.

Go make something beautiful. Make it a habit. Share it. Sell it or give it away, display it or collect it for future generations to find. And learn to read what you create. What does it tell you about yourself? What does it make you notice? How does it help you to see? What path is it leading you on? 

Do it. Or not. Sometimes doing nothing is an act of creativity - simply observing, existing, when life is demanding you to do anything but. What art and creativity does achieve is a manifestation of energy, a practice that trains us to make decisions. To choose. It really does. Art, in and of itself, imitates life. It teaches you to think and see efficiently. To make sense of the 'thought mess', the 'feeling chaos' and turn all of that into something beautiful and meaningful. Or at least external. Art pushes out the muck inside and transforms it, makes sense of it. It liberates and lightens. It empties and makes room. Art creates and takes up space simultaneously. It facilitates balance.

This is my resolution for 2018. Also, growing out my eyebrows, but that's another blog post.

I resolve to create. I write. I crochet. I sew. I might draw and paint again. I make every action a work of art. As luminous with beauty or prickly with ugliness as it needs to be, I resolve to notice my ability to create. What other purpose is there? 

Happy New Year.

This is how I wrote my book

I can't begin to explain how excited I am to hold this wad of paper in my hands, finally. Writing a novel has been a life goal of mine for a very long time. When I was a kid, when people asked me what I wanted to be when I grew up, I said 'Author'. Not writer. Author. I wanted to write novels. To tell stories. That is, after I discovered that being a Vet wasn't just about cuddling animals, but touching poo and vomit (much like parenting), healing injured ones and putting some of them to sleep. 

I started writing this book ten years ago. I was in my early 30s. I had just skidded out of my 20s, bruised and battered by failed relationships, disappointment and instability. I'd been bouncing from one job and rental property to another for the best part of a decade and had finally settled down in a flat for a couple of years straight, and a job that looked like it could be a long term thing. I went overseas on my own, doing a Contiki through Europe on the cusp of my 31st birthday, when the tour guide himself was still negotiating his 20s. I came back determined to be a grown up.

In the meantime, my now husband had returned to Australia from a year long working holiday in the Canadian Alps and our paths crossed shortly after. My lease was up and my brother needed a flat mate, so I moved in with him the weekend after we met.

So, I finally found myself adulting. Living in stable accommodation, holding down a secure job and in a serious relationship. It was time to write. Then, I began this story. About a young woman, much like myself, who was living with her brother and working as a public servant. I had some ideas in mind about what I wanted her to experience. In some way, to tell my own story and reveal the themes that had guided my life to that point. I didn't have a set plan, just a bunch of thoughts and ideas and the desire to write.

I did that. On a regular basis. I would fish out my cheap laptop, turn it on, punch away at the keys, and develop a story. In fact, it was the characters I was creating. The people in my story who would come to life in my mind and embark on their own journey, sometimes seemingly separate from me.

But as is the case with being a grown up, life gets busy. My partner and I went overseas, feeling the urge to travel together before we settled down. We came home and bought our first property and got hitched. Then we started a family. Things literally snowballed. A year into our marriage we had our first child and then ten months later we conceived twins. To say things got a tad chaotic is an understatement. I suddenly found myself at home, unemployed and looking after three children under the age of two.

A short time before I gave birth to my first baby, I found out about 'Push Presents'. Apparently, people buy or are given a material incentive for giving birth. I'd never heard of this, but wanted to cash in. Side note here, I never pushed. I had two cesareans. But that's beside the point. Instead of wanting jewellery or a fleeting massage or some other pointless commodity, I told my husband that I wanted a writing class. 

Image via: catherinedeveny.com

Catherine Deveny was running her first Gunnas Writing Masterclass in Sydney for the Sydney Writers' Festival and I wanted in. Heavily pregnant, I waddled into the city and sat through a day of 'aha!' moments among my kind of people. It was the fuel I needed to resolve to finishing my book. The perfect opportunity was about to present itself, in the form of a longer than expected maternity leave. I would put the nine-to-five grind of working a day job behind me for a while, in fact much longer than I'd expected, and this gave me the time I needed to focus on finishing the book. I started to see myself as a novelist and when I found out about self publishing, it only propelled me even further forward. I realised I wouldn't have to send out a manuscript to a whole bunch of publishers and then have to sit on my hands and wait for someone to 'get me'. I could make a book myself. I would have complete control over every aspect of its design and construction and I would be able to create my own deadlines and basically own and oversee every step of the process. It was completely irresistible.

In the weeks before I had the baby, I started this blog. I found an online site that would pay me for writing articles called Lifehack.org and I pushed myself to finish my book. I made writing my full time job. Albeit mostly unpaid, but whatever. I had savings and a financially supportive partner and was in fact working harder than I'd ever worked in my life. I knew that eventually I would return to paid employment once the kids were in care and that this short time was a drop in the ocean in my working life. I had nothing to lose and everything to gain. I had to at least try. I'd kick myself if I didn't at least do that. 

As busy as it is having a newborn, I found the time. When the baby napped or was settled, I wrote. And wrote. And wrote. It kept me sane during the days I felt isolated and motivated me when I was exhausted. When the twins came, everything was magnified again, but I did another Gunnas Masterclass - Self Publishing with Julie Postance and a further writing one with Catherine, and I became even more determined to finish what had become a project, beyond merely writing a book. In fact, the story and characters had grown so much in me, that I envisaged a second and third book and a business plan started to take shape.

While wrangling three toddlers, I pushed on with not only writing the stories, but conceiving the cover, registering a business and getting a logo designed, starting a Facebook page and website; editing, proofreading, typesetting and building the architecture of a book. It was daunting and I was riddled with doubts and insecurity, but those niggles weren't strong enough to defeat the joy and the satisfaction I got from doing it. I grew attached to the narrative, the fictional people, their lives and relationships, and the process of making a book. I worked in small increments of time, whenever I had a moment to myself or the kids were occupied with themselves. Even five minutes of writing or organising fulfilled me and gave me pleasure.

Before too long the book was finished and while it was being proofread and edited, I busied myself with the business side of things and commenced the sequel. The second book has been much easier to write in some ways. I have experience and a premise. The sequel's protagonist is a character from the first book, it reveals her back story, and the stories intersect. In other ways, different challenges have presented themselves as I can't just let the characters lead me into the story, I have to adhere to the established narrative and characterisation. In so many ways, these obstacles have made me a better and more creative writer. 

The editing process of the first book educated me about the pitfalls of writing, such as style, grammar and punctuation and I think, I hope, that I have improved. The third book is swimming around in my mind. The business end is established and I believe that it won't take me as long or be as arduous a process, in terms of creating a physical book and making it available for purchase.

All in all, I decided one day, that I was going to write a book and when I took that first step, and kept putting one foot in front of the other, eventually I got there. And looking back, it's been a huge and very satisfying learning curve.

The hardest part now, and I think what has been the most difficult all along, is sharing it. You want people to like what you do. Especially if it's an artistic pursuit. You want people to connect and to feel the things you felt when you created it. It's not about being liked or feeling good all the time or getting approval. It's about connection and you want people to have a positive and constructive response. So, for example, even if people don't like something a character says or does, you hope that it is within the context of empathising with them. The fact of the matter is that some people will like your work and others will hate it. Some will be completely indifferent. I am prepared for that. What I wish for most is that the story and the characters are interesting, believable and at least a little bit entertaining. 

More than anything though, I wrote this book because I liked writing it. I am writing the next two because I want to finish telling this story. I will keep writing because that is the one thing I do that makes me want to punch the air in jubilation. I am so lucky to say I have found that thing that makes me go 'fuck yes!'. It is something that everyone should find in their lives.

Space: Everybody Shut Up, I'm Trying To Think will be available for purchase through my website and Facebook page from February 14th 2017.